分類: 作品 Works

  • 《當派對快要結束的時候》
When The Party Is About To End

    《當派對快要結束的時候》 When The Party Is About To End

    − 年度:2022
    − 導演:黄祥昀
    − 職位:編舞、主演
    − 簡介:

    轉化黄祥昀詩作成實驗録像,描述對電影充滿熱情的青年影癡,用最後一口氣看完最後一部電影後自殺的故事,呈現精神與身體的不確定感,正如派對快要結束之際。

    本作獲選2022荷蘭舞蹈電影節 Cinedance Festival

    − Year:2022
    − Director: Huang Hsiang-Yun
    − Description:

    This experimental film adapts Huang Hsiang-Yun’s poetry, telling the story of a young cinephile who, filled with passion for film, takes their own life after watching one last movie. It conveys the uncertainty between spirit and body, like the fleeting moment when a party is about to end.

    The work was selected for Cinedans 2022 in the Netherlands.

  • 《快樂的死》&《永久離線》
Error After Life & Off-Life

    《快樂的死》&《永久離線》 Error After Life & Off-Life

    − 年度:2022
    − 地點:濕地 venue,臺灣臺北/線上
    − 媒介:舞蹈、AI 藝術、聊天機器人
    − 簡介:

    為李秀芬與創作組合「即使我們生無可戀」獨立製作,《快樂的死》嘗試群衆募資並達標,而《永久離線》獲選文化部「藝 Fun 線上舞台計畫」。

    此作結合舞蹈、人體辨識、語音辨識技術、聊天機器人等進行創作,探討科技社會與精神疾病之關係,深層討論精神疾病、死亡之於尊嚴個體之意義。

    − Year:2022
    − Venue:濕地 venue, Taipei, Taiwan / Online
    − Mediums:Dance, AI Art, Chatbot
    − Description:

    Independently produced by Shiou Fen Li and the collective”Life Holds No More“, ”Error After Life” successfully reached its crowdfunding goal; while “Off-Life” was selected for the Taiwan Ministry of Culture’s “E-Fun Online Stage Program”.

    This work integrates dance, body recognition, voice recognition, and chatbot technology to examine the relationship between technology, society, and mental illness.

  • 「我死了_次,我還活著」數位遊戲
Unfinished: Virtual Exhibition

    「我死了_次,我還活著」數位遊戲 Unfinished: Virtual Exhibition

    − 年度:2021
    − 地點:非實體展覽
    − 内容:遊戲藝術、非實體策展及活動
    − 簡介:

    李秀芬「他們説這是愛」性暴力與劇場計畫作品之一,邀請八位藝術家, 以性/別暴力議題中的「恐懼地景」為主軸,製作成一套單機遊戲,觀衆可以透過遊戲體驗八位藝術家生命經驗,進而更認識性/別暴力議題。

    − Year:2021
    − Venue:Virtual Exhibition
    − Contents:Game Art, Virtual Curation & Events
    − Description:

    Part of Shiou Fen Li’s project“ Murdered Love” on sexual violence and body, this work invited eight artists to create a single-player game centered on the “landscapes of fear” within experiences of sexual and gender-based violence. Through gameplay, audiences could engage with the life stories of these artists and gain deeper awareness of such issues.

  • 《當派對快要結束的時候》演出版 
When The Party Is About To End(Performance Ver.)

    《當派對快要結束的時候》演出版 When The Party Is About To End(Performance Ver.)

    − 年度:2021
    − 地點:世紀當代舞團,臺灣臺北
    − 媒介:舞蹈劇場
    − 簡介:

    入選世紀當代舞團「孵夢劇場」系列IV,轉化黄祥昀詩作與實驗録像《當派對快要結束的時候》成劇場作品,記錄影癡朋友決定在看完《愛在黎明破曉時》後結束生命的故事,那戲如人生的恍惚虛實,猶如派對快結束的時候,精神與肉體的不確定感。

    − Year:2021
    − Venue:Century Contemporary Dance Company, Taipei, Taiwan
    − Mediums:Dance Theatre
    − Description:

    Selected for the Century Contemporary Dance Company’s Dream Hatchery IV series, this work transforms Huang Hsiang-Yun’s poetry and experimental video “When the Party Is About to End” into a theatre piece. It tells the story of a cinephile friend who chose to end their life after watching Before Sunrise. Blurring the boundaries between theatre and reality, the work captures the uncertainty of spirit and flesh—like the fleeting, disorienting moment when a party is about to end.

  • 《窄門》Narrow Gate

    《窄門》Narrow Gate

    − 年度:2020
    − 導演:黄祥昀與紀孫霓
    − 職位:主演
    − 簡介:

    轉化黄祥昀詩作,描述女子探索自己的身體與愛情的糾纏,最後在現實與夢境交錯的空間裡自殺又重生。

    本作入選 Seattle True Independent Film Festival 、賽爾維亞當代藝術館與威尼斯國際行為藝術週舞影暫留翻外舞蹈影片展覽

    − Year:2020
    − Director: Huang Hsiang-Yun, Chi Sun-Ni
    − Description:

    Adapted from Huang Hsiang-Yun’s poetry, this work depicts a woman’s exploration of her body and entanglement with love, culminating in suicide and rebirth within a space where reality and dream intertwine.

    It was selected in the Museum of Contemporary Art Belgrade (MoCA) , Venice International Performance Art Week: Marta Jovanović.