關於我 About

李秀芬 Shiou Fen Li／Bonn

臺灣跨域藝術家，曾為舞團即使我們生無可戀、數位跨域藝術組合互跪合作社之發起人。創作橫跨編舞、行為藝術、錄像與裝置，並經常結合不同研究方法發展跨媒介創作。長期關注身體在不同社會結構中的樣貌與位置，亦關注非典型性暴力、數位文化、精神狀態，以及記憶與廢棄等議題，試圖透過不同媒介探索身體經驗的不同層面。

作品曾於臺北市立美術館、臺北當代藝術館、洪建全基金會等機構發表，並曾於英國、德國、荷蘭、韓國等地的藝術節、影展及非典型展演空間展演、放映與交流。

I am a Taiwanese interdisciplinary artist whose practice spans choreography, performance art, moving image, and installation, often developing cross-media works through diverse research methods. I have long been concerned with the forms and positions of the body within different social structures, as well as issues of non-typical violence, digital culture, mental states, memory, and waste. Through different media, I explore multiple dimensions of bodily experience.

My works have been presented at Taipei Fine Arts Museum, Museum of Contemporary Art Taipei, and Hong Foundation, among other institutions. I have also presented, screened, and exchanged work at art festivals, film festivals, and non-conventional performance spaces in the United Kingdom, Germany, the Netherlands, and South Korea.

重要經歷 Selected Experiences

近期參與作品包含：
– 舞蹈劇場《儚垠》（2019/2025，2020 台新藝術獎提名）
– 展覽「Gen 90：我們如何成為廢物」（2025，入選洪建全基金會雨棚計畫）
– 跨域作品《剛剛》（2024，台北當代藝術館／嚴淳齡「反覆操演 Re-her-sal：預演」參展作品之一）
– 跨域作品《Ava她r》（2024，臺北市立美術館開放網絡計畫 TFAM Net.Open 共域計畫之四「www.反轉資料庫.commons」參展作品之一）
– 實驗錄像《當派對快結束的時候》（2022，獲選荷蘭舞蹈電影節）

Recent projects include the independent dance theatre piece “Wasteland” (2019/2025, nominated for the 18th Taishin Arts Award), the exhibition ”Gen 90: How We Became Waste “(2025, selected by the Hung Foundation’s Canopy Project), “after THAT” at the Museum of Contemporary Art Taipei (2024), and “Ava她r” at the Taipei Fine Arts Museum (2024).

I have also collaborated on experimental films with Huang Hsiang-Yun, including “When The Party Is About To End (selected for Cinedans 2022 in the Netherlands) and “Narrow Gate” (selected for the Seattle True Independent Film Festival, Museum of Contemporary Art Belgrade, and Venice International Performance Art Week).

形象照 Portrait