分類: 作品 Works

− 年度：2020/2019
− 地點：空總 C-Lab/ 糖廍文化園區，臺灣臺北
− 媒介：舞蹈劇場
− 簡介：

《離體》系列取自心理學解離的「離」，和解體的「體」。比擬一個人身體、心理與社會關係出現差錯，而最終反映在一個人身體的狀態。像是年久失修的巨大機器，終會因為迸走一顆小螺絲釘而全然崩毀。

2019 《離體 (n.)(v.)(adj.)》首演於艋舺國際舞蹈節，2020 《離體(adv.)》受邀於 C-Lab 玩聚場夏日藝術節演出。

− Year：2020/2019
− Venue：C-Lab / Tangbu Cultural Park, Taipei, Taiwan
− Mediums：Dance Theatre
− Description：

The Disembodied Body series takes its title from the concepts of dissociation and disintegration. It explores how disruptions in one’s body, mind, and social relationships ultimately manifest in the body itself, like a machine that gradually falls apart after losing a single screw.

The Disembodied Body premiered at the 2019 Mengjia International Dance Festival, while In Between The Disembodied Body was presented in 2020 at the C-Lab Summer Festival Play Arts.

− 年度：2018
− 地點：台北國際藝術村頂樓，臺灣臺北／水源劇場，臺灣臺北
− 媒介：舞蹈劇場
− 簡介：
本作品源自「白洞理論」——一個只有理論上存在但實際上尚未被勘驗的天文現象，以該理論試圖回應某些我們理論上都懂，但是實際卻無法適應、應對的創傷身體與創傷故事，以及我們如何面對社會裡那些理論上知道、理論上你應該要如何的狀態、精神與關係。首演於台北藝穗節，獲得該年舞蹈首獎，並受邀於水源劇場重演。

− Year：2018
− Venue：Taipei Artist Village/ Wellspring Theater, Taipei, Taiwan
− Mediums：Dance Theatre
− Description：
Inspired by the theoretical concept of the “white hole,” this work reflects on traumas and emotional states that we may understand in theory yet struggle to navigate in reality. It examines the gap between what society expects us to cope with and what our bodies can actually bear.

Premiered at the Taipei Fringe Festival, it received the Fringe Dance Award and was later restaged at Wellspring Theater.

− 年度：2017
− 地點：華江整宅，臺灣臺北
− 媒介：舞蹈劇場
− 簡介：
這個作品想攤開一個憂鬱症的人的房間，放進車流與毎日想一躍而下的天橋上，試圖傳遞憂鬱症的夜晩，與反覆失眠、情緒無處可去也無處可躱的種種状態。希望有一天能好好説晩安，或是人生真的可以就此晩安了。

首演於台北藝穗節，並獲該年度藝穗原創精神獎。

− Year：2017
− Venue：Hua-Jiang construction housing, Taipei, Taiwan
− Mediums：Dance Theatre
− Description：
This work opens up the room of a person living with depression and places it amid traffic and the overpass from which one contemplates jumping—seeking to convey the sleepless nights, the emotional overflow, and the impossibility of escape. It longs for a day when one can finally say “good night,” or when life itself may be allowed to rest.

Premiered at the Taipei Fringe Festival, the piece received the Genuinely Fringe Award for original spirit.