分類: 作品 Works

  • 「一般垃圾不可回收」 展覽與系列活動
“Gen-neral": Exhibition and Performance Events

    「一般垃圾不可回收」 展覽與系列活動 “Gen-neral": Exhibition and Performance Events

    − 年度:2025
    − 地點:Our Gym Space,臺灣臺北
    − 内容:展覽、工作坊、活動、演出
    − 簡介:

    本計畫以被視為廢物的物件(一般垃圾)象徵不符社會體制或主流想像的 90 年代青年,並透過系列展演活動,探問所謂「一般的大人」與「普通的大人」背後的價值與意義。內容包含展覽、身體工作坊、藝術家演出及懷舊遊戲夜等,從不同角度觀看所謂「廢棄青年」的真實樣貌。

    − Year:2025
    − Venue:Our Gym Space, Taipei, Taiwan
    − Contents:Exhibition, Workshops, Events, Performances
    − Description:

    Gen-neral—a title combining Generation and General—uses discarded objects (“general waste") as a metaphor for people born in the 1990s who do not conform to social norms or expectations. Through a series of public programs, the project questions the values embedded in the idea of being a “normal" or “ordinary" adult.

    The program includes an exhibition, body workshops, artist performances, and nostalgic game nights, offering multiple perspectives on the lived realities of a generation often regarded as “waste."

  • 獨立製作詩集 2:《吹蠟燭時三個都許著死掉的願望》
Poetry Collection 2 : I wish I could die as my 3 birthday wishes

    獨立製作詩集 2:《吹蠟燭時三個都許著死掉的願望》 Poetry Collection 2 : I wish I could die as my 3 birthday wishes

    – 詩集介紹:

    收錄 2019 到 2022 所寫的詩,寫的都是那時候的哀傷瞬間,例如憂鬱症發作、社群媒體的孤獨,以及數位或實際的性暴力,而這些瞬間大多都是自己一個人度過,好像必須寫詩才不至於毀滅,即便已經毀滅。

    攝影的部分就是像吹熄生日蛋糕上的蠟燭時,所看見的關於自己與他人的幻影,是留存曾經存在過的證據,不這樣的話,我好像不存在過一樣。

    – Introduction:

    It collects poems written between 2019 and 2022 — moments of sorrow from that time, such as depressive episodes, the loneliness of social media, and experiences of sexual violence, both digital and real. Most of these moments were endured alone, as if writing poetry were the only way to keep from being destroyed, even though destruction had already happened.

    The photos are like the visions of myself and others that appear when blowing out the candles on a birthday cake — traces preserved as evidence of what once existed. Without them, it feels as though I might never have existed at all.

  • 《儚垠》
Waste Land/ Wonder Land

    《儚垠》 Waste Land/ Wonder Land

    − 年度:2025/2019
    − 地點:Our Gym Space/ 濕地 venue,臺灣臺北
    − 媒介:舞蹈劇場
    − 簡介:

    2019 入選濕地 venue Wet Base 實驗劇場計劃第 18 屆台新藝術獎第四季提名,並於 2025 移地重製。

    「儚」取自「虻」,是一種吃廢棄物的小蟲,借代 90 年代出生的青年,既是廢物,也是吃廢物長大的人們。觀衆以遊走的方式體驗一個人如何從新生到廢棄的過程。

    − Year:2025/2019
    − Venue:Our Gym Space/ 濕地 venue, Taipei, Taiwan
    − Mediums:Dance Theatre
    − Description:

    Originally selected for the Wet Base Experimental Theatre Program at Venue in 2019, and Waste Land was nominated for the 18th Taishin Arts Award. The work was later re-staged as Waste Land / Wonder Land in 2025.

    The title Meng (儚) is derived from Meng (虻), an insect that feeds on waste, serving as a metaphor for people born in the 1990s—both those regarded as “waste" and those raised on society’s waste. Audiences move freely through the performance space, experiencing the trajectory of an individual’s life from birth to abandonment.

  • Gen 90:我們如何成為廢物
Exhibition For Gen 90

    Gen 90:我們如何成為廢物 Exhibition For Gen 90

    − 年度:2025
    − 地點:洪建全基金會,臺灣臺北
    − 内容:展覽、工作坊
    − 簡介:

    入選洪建全基金會「雨棚計劃」。「Gen 90」命名戲擬「Gen Z」,依照物件廢棄回收的過程,在展場打造一座「廢物回收場」,比擬 90 年代出生的青年,如何在意識形態矛盾中長大,又因不符合社會期待成了所謂「廢物青年」。

    除了成長回憶的廢棄物,亦邀請三位藝術家帶來與「Gen 90」成長經驗相關的作品。

    − Year:2025
    − Venue:Hong Foundation, Taipei, Taiwan
    − Contents:Exhibition, Workshops
    − Description:

    Selected for the Hung Foundation Canopy Project, Gen 90 plays on the term “Gen Z." Following the process of discarding and recycling objects, the exhibition transforms the gallery into a “waste recycling yard," drawing a parallel to how people born in the 1990s grew up amid ideological contradictions and came to be labeled as “waste youth" for failing to meet societal expectations.

    Alongside discarded objects carrying memories of growing up, the exhibition also invited three artists to present works reflecting the shared experiences of Gen 90.

  • 《原本想作的夢》After That Dream

    《原本想作的夢》After That Dream

    − 年度:2025
    − 地點:軟輪畫廊,臺灣臺北
    − 媒介:裝置、録像、現場演出
    − 簡介:

    臺灣策展人嚴淳齡策劃「反覆操演 Re-her-sal:觀衆入場」聯展作品之一。

    以作夢為出發點,蒐集重鬱後開始創作的所有夢境文字、隨筆、排練筆記進行再創作,以影像與表演的形式,讓「原本想作的夢」成為《原本想作的夢》。

    − Year:2025
    − Venue:Gallery 80A, Taipei, Taiwan
    − Mediums:Installation, Video, Live Performance
    − Description:

    As part of the group exhibition “Re-her-sal: Entering the Auditorium”, curated by Taiwanese curator Yen Chun-Lin, this work begins with the act of dreaming. It reinterprets a collection of dream journals, writings, and rehearsal notes accumulated since Shiou Fen Li began creating after experiencing major depression. Through video, installation, and performance, these materials are transformed into “After That Dream".