關於我 About

李秀芬 Shiou Fen Li／Bonn

國立臺灣大學政治學系畢業，為擁有政治學、社會學背景的獨立跨域藝術家，同時曾為舞團「即使我們生無可戀」、數位跨域藝術組合「互跪合作社」發起人。

作品以肢體編導、舞蹈、行為及策展為主，且作品多結合研究，並善於非典型空間進行創作，與議題及空間進行對話。因長期關注精神疾病、性暴力等議題，及身體在各個社會議題的樣貌，希望創作能是擾動社會之媒介，故不侷限創作媒介。目前使用過的媒介包含：劇場舞蹈、行為藝術、録像電影與程式藝術等。

I am an independent cross-disciplinary artist from Taiwan with a background in political science and sociology, and I am the founder of the dance collective “Life Holds No More” and the digital cross-disciplinary art group “Hugui Collective”.

My work focuses on dance, choreography, performance, and curatorial projects, often created in dialogue with research, issues, and unconventional spaces. I explore themes such as mental health, sexual violence, and the body in society, seeing art as a medium for social reflection and disruption, which is why I do not limit myself to a single form.

形象照 Portrait

重要經歷 Selected Experiences

近期參與作品包含：
– 舞蹈劇場《儚垠》（2019/2025，台新藝術獎提名）、
– 洪建全基金會雨棚計畫「Gen 90：我們如何成為廢物」（2025）、
– 台北當代藝術館／嚴淳齡「反覆操演 Re-her-sal：預演」《剛剛》（2024）、
– 臺北市立美術館開放網絡計畫 TFAM Net.Open 共域計畫之四「www.反轉資料庫.commons」《Ava她r》（2024）、
– 黃祥昀實驗錄像《當派對快結束的時候》（獲選荷蘭舞蹈電影節,Cinedance Festival 2022）
– 黃祥昀實驗電影《窄門》（曾獲 Seattle True Independent Film Festival 、賽爾維亞當代藝術館與威尼斯國際行為藝術週等）。

Recent projects include the independent dance theatre piece “Wasteland” (2019/2025, nominated for the 18th Taishin Arts Award), the exhibition ”Gen 90: How We Became Waste “(2025, selected by the Hung Foundation’s Canopy Project), “after THAT” at the Museum of Contemporary Art Taipei (2024), and “Ava她r” at the Taipei Fine Arts Museum (2024).

I have also collaborated on experimental films with Huang Hsiang-Yun, including “When The Party Is About To End (selected for Cinedans 2022 in the Netherlands) and “Narrow Gate” (selected for the Seattle True Independent Film Festival, Museum of Contemporary Art Belgrade, and Venice International Performance Art Week).