《剛剛》after THAT

− 年度：2024
− 地點：臺北當代藝術館，臺灣臺北
− 媒介：裝置、聊天機器人、録像、現場演出
− 簡介：

本作結合對表演場域中厭女文化的觀察，從演出行銷、評論、演後座談文化出發，聚焦在表演「開始被談論」的時刻，以身體表演、錄像裝置及社群互動，探討語言如何建構表演場域的性別權力關係。

裝置與表演於 2024 台北當代藝術館首次發表，為嚴淳齡策展「反覆操演 Re-her-sal：預演」聯展作品之一。錄像於 2026 入選德國柏林 Public Shorts Festival，及台北昄社 RRR 短片放映計畫。

− Year：2024
− Venue：Museum of Contemporary Art, Taipei, Taiwan
− Mediums：Installation, Chatbot, Video, Live Performance
− Description：

after THAT draws on observations of misogynistic culture within performance contexts, examining performance marketing, criticism, and post-show discussions. It focuses on the moment when a performance “begins to be talked about." Through live performance, video installation, and a social media chatbot, the work explores how language constructs gendered power relations within performance contexts.

The installation and performance were first presented at the Museum of Contemporary Art Taipei in 2024 as part of the group exhibition Re-her-sal: Preview, curated by Yen Chun-Lin. The video version was selected for Public Shorts Festival (Berlin, Germany) and the RRR Short Film Screening Program (Taipei) in 2026.