《剛剛》after THAT

− 年度：2024
− 地點：臺北當代藝術館，臺灣臺北
− 媒介：裝置、聊天機器人、録像、現場演出
− 簡介：

臺灣策展人嚴淳齡策劃「反覆操演 Re-her-sal：預演」聯展作品之一。

《剛剛》以演出行銷、評論、演後座談文化出發，結合對表演場域厭女文化的觀察，以即興行為表演、錄像裝置、社群互動，邀請觀衆共同探討，語言創建表演場域的性別權力關係。

− Year：2024
− Venue：Museum of Contemporary Art, Taipei, Taiwan
− Mediums：Installation, Chatbot, Video, Live Performance
− Description：

Part of the group exhibition “Re-her-sal: Preview”, curated by Taiwanese curator Yen Chun-Lin.

“after THAT” begins with reflections on performance marketing, criticism, and post-show discussion culture, interwoven with observations of misogyny within performance spaces. Through performance and installation, the work invites audiences to explore how language shapes gendered power relations in the context of performance.